Naomi Filmer's piece, 'Ball Lenses" - i regret not getting a photo which shows all of this piece, which encloses casts of parts of the body in glass spheres. There were a couple more globes at the bottom containing bits of heel and toes.
In this piece, and in photos and video, she presents the ordinary for attention in a new way.
"The work I have made focuses on ordinary parts of the body that we never really celebrate, but actually there is nothing ordinary about them at all, they are unique to every individual. By isolating them, and making a spectacle out of them, they are made extraordinary." Naomi Filmer.
This piece really reminded me of the post I wrote about words, and about Suzette Elgin's book Native Tongue. In this book the power of language is explained like this:
"consider this, please: to make something 'appear' is called magic, is it not? Well ... when you look at another person, what do you see? Two arms, two legs, a face, an assortment of parts. Am I right? Now, there is a continuous surface of the body, a space that begins with the inside flesh of the fingers and continues over the palm of the hand and up the inner side of the arm to the bend of the elbow. Everyone has that surface; in fact, everyone has two of them.
I will name that the 'athad' of the person. Imagine the athad, please. See it clearly in your mind - perceive, here are my own two athads, the left one and the right one. And there are both of your athads, very nice ones.
Where there was no athad before, there will always be one now, because you will perceive the athad of every person you look at, as you perceive their nose and their hair. From now on. And I have made the athad appear ... now it exists.
Magic, you perceive, is not something mysterious, not something for witches and sorcerors ... magic is quite ordinary and simple. It is simply language.
And I look at you now, and I can say, as I could not say three minutes ago - 'What lovely athads you have, grandmother!' "
S. Elgin, Native Tongue, The Women's Press 1985, p.242.
I can't honestly claim that I have gone around noticing athads since I read this book, but I do think she is making a valid point about the naming and making visible of realities which have been unnoticed and invisible - and it casts another beguiling light for me on Filmer's work.
Exit Post Coming Soon
1 year ago